In: PlaySmelter Workshops
To Speak or Not to Speak: Exploring Direct Address in Kristin Shepherd’s Hope Op
May 22, 2014We kicked off the first of our PlaySmelter readings with a unique situation: Kristin Shepherd’s raw talent led her straight from…
Read MoreTriplets: Examining how to birth multiple story lines in Cora Eckert’s Conception
May 22, 2014Our second reading came from PlaySmelter-veteran Cora Eckert, whose play Conception is one of our private readings this year. Eckert’s piece…
Read MoreChimerism in Lara Bradley’s Sperm Wars
May 22, 2014Lara Bradley is another of our PlaySmelter veterans. We featured her first play last year Blind Nickel Pig, which is set to…
Read MoreBreathing Together in Jenny Hazelton’s Dead Pan Land
May 22, 2014We expanded the PlaySmelter program this year by including Jenny Hazelton’s Dead Pan Land, a piece that blends silent theatre, mime,…
Read MoreFinding the Magic: Combining mythology with reality in Karen Thistle’s The Intermediaries
May 22, 2014Like with last year’s PlaySmelter creators, there is a distinct voice and connection to the Sudbury landscape. Karen Thistle’s first play…
Read MoreWho’s the singing for? Exploring the concept of the narrator in Jesse Brady’s The Ballad of the Locked Out Gang
May 22, 2014We concluded our first round of PlaySmelter readings with Jesse Brady’s The Ballad of the Locked Out Gang. As a Sudbury…
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